My practice explores transformation through connection and adaptability.

Made using temporary attachments of notches and tabs, I make hybrid structures that are both painting and sculpture and have the potential to be undone and re-assembled. Without permanent attachment each object holds in a momentary state of transition, reliant on provisional interconnectedness to maintain form. One piece cannot sustain a curve or appear to hover without the assistance or resistance of another.

Over time the component pieces develop a past, present, and future. There is evidence of a life lived, a paused current moment, and potential for further possibilities. Holding vestiges of previous forms and colours, they are fixed in space and time but only for a captured instant, reserving the right to change their minds in the future. They do not come to a permanent conclusion for display, rather they continue to evolve over time.

The work resists reaching a final truth, as both form and colour are malleable. Undoing and re-making brings new visual information to light, requiring a revised response. Holding in that moment of transformational tension means that each work resists the idea of being finished, instead being finished for now.